A Wild Justice: by Francis Clifford
Sometimes the purpose of our cultural custodians is to award posterity to their darlings; we are given a steady stream of articles, reprints and documentaries about, say, Le Carre, or Graham Greene, etc; however, those authors not read by our custodians are designated forgotten and hence their cultural impact is nil. This, of course, is a vicious circle, because if books go out of print and living memory is finite, then the works of certain authors might as well not exist at all. Despite this widespread cultural censorship, ghosts do appear, but our custodians do not have the sensibilities to see them; rather it is left to genre readers to communicate with the out of print.
Francis Clifford was the author of many excellent thrillers which sold well over three decades. Two were adapted into films; one (The Naked Runner) starring Frank Sinatra, no less, was passably good; the other, Act of Mercy, was filmed as Guns of Darkness, quite ineffectively, as the recent Network DVD release allowed me to discover. For the most part Clifford's cold war thrillers are his best; these are always complicated by a unique form of suspense in which the act of page-turning is almost a victimless crime. There are also several Nazi-hunting thrillers, and a wonderful little book called The Third Side of the Coin, in which a desk clerk at a British airport steals a suitcase full of money and flies to Spain, where he is apprehended by an earthquake. There are three war novels, the best of which, Honour the Shrine, is probably the most moving war story out of the Far East that I have ever read.
Clifford had several Irish connections in his personal life which led him to write two Irish-themed books. Drummer in the Dark and A Wild Justice. The former is poor by his usual standards, but the latter, with a little tweaking, is a remarkable book altogether. The action of A Wild Justice takes place in the ruins of an Irish city; the city is unnamed, as is the battle by which it has been destroyed - we are left simply to assume there has been another rising, though which rising and by whom are not specified. The survivors seek a means of escape through a maze of half-collapsed houses, factories and shops, while the army routinely bomb the ruins to prevent any escape. Within these once lived-in shells another kind of life takes place, a desperate struggle for survival that encompasses the full range of human cruelty, from murder to rape; and beyond this is the ultimate Irish crime - betrayal, the advent of which turns freedom fighters to terrorists. It is sometimes remarked that one man's terrorist is another man's freedom fighter, but when both share a cellar with only one exit the distinction is most brutal. Of course there is no real resolution except tragedy; the surviving rebels are doomed, and as their cause is broken down to emotional rubble, so they seek to play dead therein.
The troubles did not throw up many successful Irish thrillers; most were a mix of propaganda and/or special pleading. To my mind the best of them was probably Benedict Kiely's Proxopera. A Wild Justice matches Kiely's novel in power and brevity and is greatly helped along by its anonymity of venue, an idea I would have taken a lot further. Because the sheer scale of destruction wrought in Clifford's novel goes well beyond anything experienced during the troubles - rather the book reads like an alternate history in which a civil war is fought and lost by those who wargamed it to death.