Showing posts with label Jesus. Show all posts
Showing posts with label Jesus. Show all posts
A Place Calling Itself Jerusalem: by Philip Challinor
In this strange and alternate Jerusalem, history flits back and forth along a timeline that seems almost obsolete or abandoned, its robots and computers junked by considerations of what might have been, could have been... And it is quite a coup to restore to Pontius Pilate his soldierly sensibilities, to hone them with political considerations to the point where he resembles the undiplomatic warrior of Shakespeare's Coriolanus. In A Place Calling Itself Jerusalem, it is very much a soldier who makes reconnaissance of the politics of occupation and corruption, and who finds in their prisons the same man who is locked inside the gulag of the Gospels.
Jerusalem draws on the instinctive similarity between these two men - one a soldier, the other a being with an almost militant capacity for pain, which the former recognises as the kind of self-abnegating battle fatigue that often leads to the heroic sacrifice or the death march or the hunger strike. Pilate identifies the nightmare in which Jesus is caught by recourse to his own - he has navigated the stations of his own cross through the course of a day of meetings; and it is here that the author's invention becomes apparent - a wholly original piece of exposition by interrogation. Each meeting seems to complicate Pilate's mood and to simplify his resolve; yet just as the action remains locked, the technology has moved on and, apart from Pilate, the only curiosity is displayed by Jesus, whose touching upgrade of a robot suggests that in another life he might have been a software engineer. But he cannot affect sentient parties - prejudices and attitudes remain fixed, even as technology marks the world around them. He and Pilate are cognisant of a change; the others are lost to glitch and cognitive lag.
The book has a remarkably dry and acrid wit, disturbed only by the metallic tang of blood which seems to suffuse with the prose, rendering it brittle and bitter. The dialogue is absolutely gripping, as each station, Centurion, High Priest, or Judge, fumbles a way to excuses taken from a book which is lived but unread. Rising above these, as touching and as brutal as any act of mercy, is Pilate's final encounter with Jesus, a genuinely affecting moment, the power of which cannot be diminished, and which begs the question - just who is being released, and from what? In the end we can't help but draw the impression that this timeline is ended.
To my mind there is no modern author who work is so consistently anti-visionary - here it is not that men and women are trapped inside systems; rather they are caught inside the mixed emotions which serve to preserve systems. And that makes all the difference. As it has been remarked that reading Mr Challinor's novels is like being stalked by a cat, it only remains for me to say - true, so long as you remember this cat has serious claws.
A Place Calling Itself Jerusalem can be purchased as a paperback here, or an ebook here.
It's a Good Life: The Infancy Gospel of Jerome Bixby
And when Jesus saw what was done, he was wroth and said unto him: O evil, ungodly, and foolish one, what hurt did the pools and the waters do thee? behold, now also thou shalt be withered like a tree, and shalt not bear leaves, neither root, nor fruit. And straightway that lad withered up wholly... After that again he went through the village, and a child ran and dashed against his shoulder. And Jesus was provoked and said unto him: Thou shalt not finish thy course. And immediately he fell down and died...
Jerome Bixby's famous story, It's a Good Life, adapted variously for The Twilight Zone and the Simpsons, always served me as a reminder of the possibilities of the infant Jesus. Consider a young boy with extraordinary powers whose role model is the vengeful God of the Old Testament: he thinks heretics into lonely graves, usually messing with their humanity in their process - anyone digging up this boy's victims in a couple of thousand years will find weirdly alien remains or ancient astronauts.
Little Anthony also appears to be the creator of the multiverse - having flung his rural community away from the earth upon his birth, it now exists in a limbo or void or purgatory. Upon re-reading I was rather surprised to find the story had no post-apocalypse setting, and no mutantcy to offer as reason for the boy's powers of behaviour. He is genuinely inexplicable. However, it is rather difficult to imagine little Anthony on the cross, rolling his eyes to heaven and saying, "Father, it's good that you made this awful thing happen."
A community of fixed grins and forced laughs is about as far as his power goes. Which is nowhere.
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